From your head
to the stand.

Professional music notation that follows your ideas and stays out of your way. Fast, capable of complex tasks, and ready for whatever you write.

See it at work.

Writing

Write in one mode.

Notes, chords and rests from the keyboard, with the palette beside the page. You write, shape the page and listen in the same window.

Arietto: Write in one mode

Orchestra

Large scores, read at a glance.

Twenty-seven staves and a new metre in almost every bar, with the time signatures set large across each group of instruments.

Arietto: Large scores, read at a glance

Piano

Virtuoso writing, engraved.

Intervals beamed from one staff into the other, five against four, tuplets inside tuplets and septuplets in contrary motion, every note with its own accidental. Arietto sets it from the notes alone.

Arietto: Virtuoso writing, engraved

Brass band

Every part in the key its player reads.

A concert march from soprano cornet to B♭ tuba, every part transposed, grouped and bracketed the way bands expect.

Arietto: Every part in the key its player reads

Jazz

Charts in a copyist’s hand.

A quintet chart in the handwritten style: chord symbols with their tensions, a walking bass, kicks lined up with the horns, a segno and a coda.

Arietto: Charts in a copyist’s hand

Parts

Parts, ready when the score is.

Every player's part comes from the score you are writing, laid out as pages of its own.

Arietto: Parts, ready when the score is

The Performance Engine

Played, not replayed.

New in Arietto: for strings, winds and brass, the Performance Engine doesn’t replay recordings, it models the performance itself. Built by spectral modelling of real players, partial by partial, it shapes every note as you wrote it: the bow change, the swell inside a held note, the slide between two pitches, things a fixed recording cannot do. Sampled instruments, a mixer and a hall come with it.

Arietto: Played, not replayed

Mallets

The instrument, beside the score.

A four-mallet vibraphone piece with its pedal lines, and the instrument preview below it: mallet bars, keyboard or fretboard, to check a voicing, a reach or a sticking against the instrument itself.

Arietto: The instrument, beside the score

Instruments

Every instrument, the way its players read it.

Tab linked to the notation in both directions, string numbers and harmonics, and the fretboard as it plays.

Arietto: Every instrument, the way its players read it

Percussion

The setup, drawn from your kit.

A percussion solo with its station drawn from above and every instrument listed, and the notes for the performer set in columns.

Arietto: The setup, drawn from your kit

Voices

Written for singers.

Lyrics set syllable by syllable, with melismas, elisions and verses handled for you, and divisi on one staff or two.

Arietto: Written for singers

Contemporary music

Graphic notation, built in.

More than two hundred and seventy graphic signs, from lines and textures to fields and clusters, plus your own imported signs and lines drawn by hand, all placed straight onto the page beside staff and time-space notation. They stay with the music when the layout changes.

Arietto: Graphic notation, built in

Extended techniques

Inside the piano, on the page.

Objects on the strings, a sweep drawn across the page and timed in seconds, and every instruction set where it happens.

Arietto: Inside the piano, on the page

The edition

From the cover to the last bar.

Engraved for print and publication: title page, imprint and contents built from the score and set in its typography, a cover classic, framed, as a panel or with a banner, and every detail of the page, from fonts and margins to your house style, set the way your edition needs it.

Arietto: From the cover to the last bar
Arietto with an overture for full orchestra: the palette on the left, the engraved page in the middle, a track for every instrument below.

The program

Everything in one window.

Score, parts, sound and every instrument in the same place. There is nothing to switch between, and nothing to set up before you start writing.

  • Ask AriettoTell it what you want, typed or spoken: “Add two bars at the end.” It runs on your Mac, nothing leaves it, and it never writes a note for you.
  • A MIDI keyboard, if you likePlay notes in from a MIDI keyboard, or type them from the computer keyboard.
  • Your own instrumentsLoad Audio Unit instruments beside Arietto’s own sounds.
  • Write to pictureOpen a film beside the score, write to it, and export the audio or the finished video.

From sketch to stand

Easy to learn. Years to write in.

  1. 01 · WriteNotes, chords and rests from the computer keyboard or a MIDI keyboard, in one mode.
  2. 02 · Shape the pageMove anything you like. It stays where you put it.
  3. 03 · Hear itWith the Performance Engine, the sampled instruments or your own Audio Unit instruments.
  4. 04 · Hand out the partsPrint, export PDF, MusicXML, MIDI, audio and video.

How it will be sold

Buy it once, or subscribe.

Version 1.0 is still ahead, so take this as a promise made in public.

Yours for good

A purchase includes Arietto 1 and every update to this version, and it keeps working for good.

Or subscribe

A subscription, monthly or yearly, includes every update while it runs, new major versions too.

Never locked out

If a licence check fails or a subscription ends, Arietto still opens, prints, exports and saves everything you wrote.

Nothing locked in

MusicXML and MIDI in and out, PDF, audio and video out. Your music can always leave with you.

The closed beta

Limited places.

Every application is read by the person who built the program, and you will hear back either way. The testers who help most get a free licence for Arietto 1, and every tester who sends feedback gets a generous discount on it.

Apply for the closed beta

Questions

Everything you need to know.

About Arietto and the closed beta.

What is Arietto?

Professional music notation software, for the Mac now and for Windows from early 2027. Fast and capable of complex scores and engraving: you write, shape the page and listen in the same window, and the parts are ready when the score is. Its engraving engine is its own, built for Arietto from the ground up.

Who is the closed beta for?

Professionals and amateurs alike. The group is put together so that every kind of music gets written: orchestra and band, choir, chamber music, piano, guitar, drums, jazz and teaching.

What do I get for taking part?

Arietto before anyone else, updates as they are built, and a direct line to the person who wrote it. The testers who help most get a free licence for Arietto 1, and every tester who sends feedback gets a generous discount on it.

What do I need?

A Mac with macOS 13 or later. A Windows version is planned for early 2027.

Can I bring my existing scores?

Yes. Arietto reads and writes MusicXML and MIDI, and exports PDF, audio and video.

How will Arietto be sold?

Buy it once or subscribe. A purchase includes Arietto 1 and every update to this version, for good. A subscription includes every update while it runs. Either way, Arietto never locks you out of your music.

Be among the first
to write in Arietto.

Applications for the closed beta on macOS are open now. Places are limited.

Apply for the closed beta